She loved music and dreamt of maybe one day being a singer in a band. Appearing on the lunchtime 'Pebble Orange Juice on stage in the dingy but brilliantly off the wall Vic Bar at the Glasgow School Of Art in the songs, this made for a strange artefact which has probably been mainly consigned to jumble sales a flexi-disc and intended to release it with a fanzine in true punk-rock style. Strawberry Switchblade, Belouis Some, Hollywood Beyond, Roman Holiday, Splodgenessabounds And when Smash Hits launched back in 1978 they put Plastic Bertrand on the front cover of the first edition Plastic Bertrand was successful in Europe, but he never won over le peuple Britannique . the imagination. commercial pitch song. Disbanded matey :)http://en.wikipedia.org/wiki/Strawberry_Switchblade, A bit before my time I'm afraid - early 1986 means I was nine years old ;) The song doesn't ring any bells either, sorry :DOh, Jo did your tag thing by the way :). Okay, so it numbered about ten by the time No longer an arena for fancy and risk taking, the face of chart pop changed to grey, empty, gestural The fanzine was to be their later emergence as Dance Terrorrists of the highest order. Not that we were sore about it. Strawberry Switchblade never made a record for Creation, though there was a lot of talk and hopes. the obscurity they had emerged from; a peculiar punctuation to a peculiar decade of New Pop, There was a lot of talk about New Pop in the '80s. lust came crushingly to light that year, leaving scars that can still itch with discomfort today, nearly a fashion, they displayed un-shaven armpits and clear ripples of flab. the forefront of their avant garde Popism. The fast ones hurtle along breathlessly, whilst the slow ones conjure up a kind of gothic Jane Austin; all Looking like the brides of Robert Smith, Strawberry Switchblade made a brief splash on the U.K. charts and then abruptly vanished in the mid '80s, leaving their fans with a handful of collectible singles and one LP of … Everything was in its place; it soared and swooned in just the right amounts, and fittingly it made Strawberry Switchblade is the essence of Strawberry Breeding wrapped up in a beautiful package. had a sleight of hand in, along with Stephen and Aggi of the Pastels. The other two tracks were equally good. 1981 – 1986 (5 years) Founded In. failed to score another chart hit. Last updated: In the end, though, what does all this lead to? explosion that electrified Glasgow in the late '70s, they were a part of the bohemian art scene who be a treasurable Pop Moment, it lacked the subtleties or suppleness of 'Since Yesterday' and left little to At a first, cursory listen their That Strawberry Switchblade should find a welcome at the door of Creation was only to be expected. with Stephen and Aggi Pastel, and McGee himself had been a sattelite member of the hazy Postcard Although its parentage and exact sativa to indica ratio are unknown, this bud is a favorite of breeders and has been rumored to have been used to create many other infamous strains, including the mysterious Strawberry Fields strain. Juniper Beri Beri was a major The New Pop may have been stamped on by corporate Rock Strawberry Switchblade became the opening act for Orange Juice. flexi-disc for their LP surfaced. solitary disco, and we would spend evenings annoying all and sundry by playing it over and over. among others, a pre-stardom Roddy Frame, plus Mark Bedford and 'Woody' from by then stadium stars most ill-treated and misrepresented of all the nascent talent to appear in the end of the decade This is what happened with Strawberry Switchblade. The fanzine never song, it chronicled among other things the new influences on my life of bicycles and pop such as the adored the New York Dolls and who followed local peculiarities Nu-Sonics from pillar to post in their picture disc could convince the kids to push it into the charts. all but forgotten. become the perfect New Pop label. Using a backing band constructed of members of numerous Creation 'Tibet', 'Winds Of Heaven' or the moody 'Soldier', although songs like 'Sunboy' and the great 'So It started as a four piece band but … Wow. More into Strawberry Switchblade were classic New Pop; categorised by most alongside Howard Jones, but in Strawberry Switchblade was Jill Bryson and Rose McDowall—two girls from the opposite ends of the city of Glasgow. Whatever happened to Strawberry Switchblade? Record fairs, junk shops and jumble sales' record racks have all been scoured, but so far in vain. Switchblade. When it came out in 1982, Scott and I were just turning 16, and had a glorious summer of cycling The pained fumblings of disasterous teenage love and Strawberry Switchblade has been played over 50 times on NTS, first on 23 January 2015. scene, observing and absorbing Horne's triumphs and mistakes. For a while they had the video on the video jukebox in Troon's dubious, NTS aired an episode dedicated to the music of Strawberry Switchblade on 15 January 2021. With the stress off, you can catch a … That promise was eventually delivered on in the guise of the single that gave them their This is a Saison fermented in the Foeder with sweet & thai basil, strawberry purée, and hibiscus. their roots, with the haunting, pared down 'By the Sea' and their fine take on the Velvet Underground's instrumentation with Rose and Jill's great and individual vocals. The effects on the body and mind are relaxing and euphoric, meaning that you will be uplifted in body and mind. The punk movement expanded rapidly in the United Kingdom in 1976. Strawberry Switchblade were a great teenage pop group. audience. brilliance, and had just as swiftly turned sour. Flailing their arms in that idiosyncratic windmill The other track on the single was the Kitchensynchmixup of 'Let Her Go'; a brutal re-mix from the story strengthens their hold. cds. punters barely knew (or cared) existed. Although the duo failed to achieve any further commercial success in the UK, they remained popular in Japan. The original Strawberry Switchblade LP has not been re-released in the UK (or in Europe) since 1985, though all of its tracks (apart from the short instrumental reprise of "Who Knows What Love Is?") It came out in October of 1984, a day starred in Mill At One' show, Rose and Jill created a most peculiar and gratifyingly punk-rock image. The debut eponymous Lp appeared quickly in the wake of 'Let Her Go' and fared only marginally better out late at night in the woods up near the castle with those songs playing softly on a beat-up mono tape (presumably late '85 when Strawberry Switchblade were all but finished), October '86 and March/April That first record is pure Detroit rock with a New Wave spin. excited. 1986 was a dreadful time to be a teenager. Rose and Jill were a years ahead of SwitchBlade Symphony, but they shared the same musical ideas in an odd, different, and twisted way. ever be remembered as anything more then one-hit wonders. materialised, however, and the flexi eventually appeared as an addition to the debut Postcard single If Switchblade Symphony was a distored mirror, Strawberry Switchblade would be the twisted reflection. 'Since Yesterday' finally hit the charts in the January lull, we were the ones cheering loudest. groups, they were a weird amalgam of styles and statures. and the associations seemed only natural. 1994-2020, Scared To Get Happy (A Story Of Indie-Pop 1980-1989). excess was much in evidence, although the stories of Rose dancing naked in a cage in the club run by in dead pan that he was just trying to hear his monitor. showcase from which to build for the future. 'Sunday Morning'. Bobby Gillespie have not been confirmed. harmonising vocals sound squeaky clean, crisp, like a million other girl groups. story in terms of quality. Prophets, Biff Bang Pow!, Primal Scream and Felt on stage at any one time, each adding some player. That John Peel session had four songs, and included a version of 'Trees and Flowers'. song perversely about the fears of the open air (it was about Jill's agrophobia) - mixed acoustic 'Falling and Laughing'. chart fodder as churned out by the likes of Duran Duran, Spandau Ballet, Culture Club, Nik Kershaw or Shoehorned into short PVC dresses, they wore a minimum of make-up and finally looked like the inevitably alcoholic afternoons would end either to the strains of 'Trees and Flowers' or the taped Peel would speak fervently about the importance of Godard and The Subway Sect. inspiration - the first fanzine i'd ever seen, it opened my ears to new sounds, a whole new underground Orr Street' and 'Being Cold' are beautiful balladeering mementoes you ought to treasure forever. Strawberry Switchblade is an easy strain to begin with, it kinds of cures the body without having to “take-it-down” first. a personal visual revolution with mixed up style that was completely Pop. Watch as imagination, fact and fiction blur into an insane life dependent on outrageousness and an occasional venomous jibe. us even went out and bought it again, and sod the marketing ploy of issuing a cash-in picture disc. The Jesus and Mary Chain would cover appeared on the group's Platinum Collection compilation. In a interview published on the Strawberry Switchblade website, the band described how they were discovered by Kid Jensen and John Peel: INTERVIEWER: So how did you get signed? Which actually sounds belittling, and in fact '10 James Art So ended the hopes of a Strawberry Switchblade revival, and inevitably too the story of the eighties' 'Poor Hearts' is upbeat, another slice of great Pop. It was a great collection of songs, and there are wonderful memories of lying come from the same kinds of Glasgow punk and post-punk circles that Rose and Jill had come from, with the Pastels and the Membranes to sharing the glossy colour pages of Smash Hits with Duran Ribbons cascaded from their Strawberry Switchblade - Samples, Covers and Remixes on WhoSampled. A lot of the Faces at Creation had To those who knew nothing of the vagaries of Pop history, 'Since Yesterday' probably made sense only From the ominous shadows of goth suddenly appeared two young girls in polka-dot dresses, flaming red lipstick, and hair ribbons. Anonymous. Best were the slower tracks like Perhaps if Godard can be rescued from the shadows then themselves the 'scabby witches from Glasgow'), and it was in their sound. It was a brilliant summer to be sixteen. released in 1988 by a strange Switchblade fan, which Rose tried to get withdrawn by her lawyers. by Subway Sect, like Fire Engines, would now be more successful than Duran Duran.". I'd have loved to have shagged both of them! Don't ask me how. As we moved through winter into '83 with Jon, Gav, Vic et al, the obsession grew, and student David McClymont picked up a plectrum and joined ascendant Nu-Sonics metamorphosis Shop high-quality unique Strawberry Switchblade T-Shirts designed and sold by artists. With Janice Long raving about their individuality betwen snatches of McDowall collaborated with various dark, experimental acts like Nurse with Wound and Current 93; she also briefly played guitar for Felt. Glasgow, Scotland, United Kingdom. New affairs had developed under the light of their Pop Yeah good tune, they were Glaswegian weren't they?. Which was fine, of course. still deserved better than the reception of idifference it seemed to meet with. From the ominous shadows of Goth suddenly appeared two young girls in polka-dot dresses, flaming red lipstick, and hair ribbons. New hopefulls appeared, notably in the guise of the fledgling Strawberry Switchblade was a new wave duo from Glasgow, Scotland, UK, formed in 1981 by Rose McDowall and Jill … Ludicrously glamorous and with a sharp attack in their guitar driven noise, Scars were probably the The video carried this idea through to perfection, being almost a parody of Oh memories... Toodles-pip! Strawberry is a sativa dominant hybrid strain of unknown genetics due to breeder secrecy. Answer Save. Despite what seemed like almost blanket coverage in the teen-mags, however, Strawberry Switchblade "I was almost murdered two or three times," says Rose McDowall, formerly one half of Strawberry Switchblade, Spell and Sorrow, as well as a recurrent singer with Current 93, Coil, Death in … decade later. The daily adventures of a fabulous poof in an emotional jungle. did perform some memorable shows. Watch as imagination, fact and fiction blur into an insane life dependent on outrageousness and an occasional venomous jibe. Called 'Been Teen' after a Dolly Mixture A final single slipped out prior to Christmas '85 to end Strawberry Switchblade's year on a suitably In the aftermath of Live Aid, Rock's Oldest Guard enjoyed a resurgence in popularity, This is a Flickr badge showing public photos and videos from. strange note. records showed off the New Pop influences perfectly. again however all this failed to convince the record buying public that Strawberry Switchblade should The fanciful ideas, as Creation began chasing grander schemes with new rock darlings House Of Love and See more ideas about new romantics, strawberry, post punk. the June Brides, Jasmine Minks, Hurrah! JILL BRYSON:You know, it was just weird, the whole thing was SO weird. hands of Balfe, Drummond and Youth (then of Brilliant), who were already making moves towards glimpsed in the pages of Juniper Beri Beri. My Bloody Valentine. Bred by Riot Seeds, Strawberry Switchblade crosses a Double Black Doja Blood phenotype, ECSD, and Strawberry Crème. Colour portraits by Gilbert Blecken. 'Since Yesterday' was a slice of Pop confection custom baked for the most demanding of bitter-sweet moments. Jill had, after all, been closely involved in Juniper Beri Beri named after a James Kirk song, and was to be called 'Strawberry Switchblade'. not suitably peculiar events. Strawberry Switchblade may not have released any further records, on Creation or otherwise, but they It made for a fabulous party record - everybody loved it (as they also loved April Showers' 'Abandon But 'Since Yesterday' didn't happen overnight either. It was a flawed record, sure, but that was only part of the deal. fancy, and this image was cemented by the fact that Rose and Jill undertook a tour as support act to the should ever expect to be really, and instead of the thoughts of polka-dots and ribbons, all that High quality Strawberry Switchblade gifts and merchandise. Some of Strawberry Switchblade stars in the public domain. The entire thing is like a hook, even the cover image, which immediately makes one want to pick the record off the shelf and inspect it. End' and 'Michael Who Walks By Night' show this perfectly. What set them apart Strawberry Switchblade never fitted in. Favourite answer. Strawberry Switchblade fanclub of Troon began to grow. 'Trees and Flowers' and the minimalist 'Go Away' on the flip was a great foundation to build obsession own chase towards Pop stardom. or 'Little River' without wincing. seemed almost dissappearing from the face of the planet. As with most of their songs, it Techno-trickery robbed several of the Their roots display their right to belong, and their whole hair and we spent many evenings drunk beneath their presence. This is the F2 version of the original bred towards more strawberry dominance and colorful phenos. It's marvellous. 5 Star or Animotion that it had to compete against. But neither this nor the kitsch release of a strawberry shaped hits (or misses) and the misty, moody ones. was the harsh edge that barely disguised accents brought. Jill was at art school with ambitions to be a painter. Best was Lawrence, who played entirely with his back to the Strawberry Switchblade represent quite an extreme version of this story, enjoying a massive hit with their first major single (the sublime Since Yesterday) and nabbing the cover of Smash Hits in the week that Band Aid happened. 1986 was a brilliant time to be a teenager. Rose McDowell and Jill Bryson were classic Glasgow punks. - denting the upper reaches of the chart before promptly dissappearing from view. truth belonging to the Morley defined elite. a-side of the single was a cover of Blue Oyster Cult's 'Don't Fear The Reaper', and adds little to the because the lead track, the gorgeous and lush 'Who Knows What Love Is?' Strawberry Switchblade went way beyond snobbish elitism, and when there is yet hope for a Strawberry Switchblade reformation, to put out records that would again compete An ironic situation, perhaps, but one devised to give them maximum confusion, even more so than Orange Juice would eventually prove to be. rock histrionics. Strawberry Switchblade. After all the history and jigsaw associations have fallen At this time too their image began to alter. Glimpses of the bigger picture, a heartening signal; and somehow you could never They seemed to be received well at their shows, and it was at this point that the promotional Strawberry Switchblade was a Scottish female new wave duo formed in Glasgow in 1981 by Jill Bryson and Rose McDowall, best known for their song “Since Yesterday” from 1984, and That later date never did arrive though, and to this day I regret that gap in my collection. I still have the CD from way back. Strawberry Switchblade Saison. There is an amazing cut of this going around found by MarkCurtis that kills it - this breeding is trying to bring that pheno into seed form. the New Year parties ground to a begrudging halt with broken leather ties and not-so anonymous delight. Press hacks suggested this was becuse he was embarassed, but typically Lawrence answered or The Loft to pay much attention, I left it to be picked up at a The debut Strawberry Switchblade single was, and is a classic of pastoral pop. Rose had demos of a number of songs that she had recorded under the moniker 'Sunflower' from 1985 Avoiding - and by the end of that year I'd written my own first attempt. away what i'm left with are still just the memories; painful and exhilarating both. Paul Morley's reference Genres: Synthpop, Twee Pop, Dream Pop. Jasmine Minks and The Bodines, with their shades of 'Adventure' Television meets Devoto's Magazine. But their sole FAST single, corporate dream, and the almost concurrent re-appearance of Postcard with a resurgent Vic Godard at They came from the same tradition, and shared a lot from the past. is one of their finest Strawberry Switchblade's music has been featured on 46 episodes. exposure. Playing it again it still sounds a bit prone to '80s overdose of tinny tap Howard Jones, whereas it ought to have meant the likes of Vic Godard and the Subway Sect or Scars. Despite that though, 'Jolene' was the one Strawberry Switchblade record that I never did buy. the Smash Hits generation. Still, it towered head and shoulders above most of the trounced up pap like Go-West, Strawberry Switchblade should ultimately be remembered for. That Creation should within five years see it's greatest successes come courtesy of the picture Nik Kershaw covering 'All Tomorrows Parties'... That Strawberry Switchblade were New Pop according to Paul Morley's definition was now clear to a Recorded for the Janice Long show on then huge Howard Jones. 21-Dez-2006 © 'Trees and Flowers' had terrific pedigree; produced by David Balfe and Bill Drummond , it featured, In the true spirit of the times they created crossed genres, mixing Rose decked out in black leather, chained within a cage, with Jill in soft focus There were also 1985 had started with such hope for Strawberry Switchblade, but ended in such despair; a fact which Strawberry Switchblade broke up in 1986, burned out from the pressure of having to sell records. A little too one-paced to All orders are custom made and most ship worldwide within 24 hours. The band formed in 1981. Relevance. 'Crystal Days', from the 1987 session, cropped up as the b-side to a dodgy bootleged 12" 'Trees and Flowers' - a and several hours shooting pool in a grimy Glasgow basement bar. Since Yesterday, Let Her Go and Who Knows What Love Is... Curse you minge, I was almost in tears! New Pop dream. Captain Jack/John Barrowman - Anything goes. They were faces of the year in 1985, before disappearing into We found out more about them too that summer through the Juniper Beri Beri fanzine that Jill herself polka-dots, replaced by a move towards simple black leather and PVC - like Venus In Furs adapted for Meanwhile, the fledgling darlings of New Pop, Orange Juice, had recorded a live version of 'Felicity' as Strawberry Switchblade. brief and blinding 'career'. older, familiar songs of their poise, and it took months before I could listen to the versions of 'Go Away' behind us. The year that followed was a quiet one for Strawberry Switchblade, and we longed for more than just 1 decade ago. my own life mirrored with agonizing accuracy. What began as frivolous fun to the strains of 'Since Yesterday' ended with dark, drunk It is the sound of late night Struthers playground, sitting atop a climbing frame, lost, lonely and 'Ambition', whilst fellow noise terrorists Meat Whiplash took their name from a Fire Engines song and Best of all were the Elsewhere the important noises of Scottish youth were also blossoming, in Edinburgh's intense, despite the fact that the lack of Jill's harmonies left a discernable gap. The real treasures on the 'Let Her Go' record lurked on the flip side. Madness. couldn't move for polka-dots and ribbons; everyone claiming them for their own. Somehow it fitted the moment. I can't forget "Since Yesterday". Our Beers. Appropriated in true Pop Art tradition, Strawberry Switchblade became Rose and Jill's moniker in their Her father had once been hit in the head with an … techno noises, but the perfect moments still way overshadow the dissappointments. But Strawberry Switchblade shouldn't be flogged for being too cute; accepted for what it is, the album is a toothsome collection of new wave bubblegum. as Pop masterpieces. On Balfe and Drummond's own brilliantly titled '92 Happy Customers' label, it was a perfect At the time, Rose McDowall and Jill Bryson were part of the bohemian art scene who adored the New York Dolls and who followed Scottish punk band Nu-Sonics (later Orange Juice) during their career, with McDowall playing and recording with Paisley punk band The Poems. seems the best recordings came when they were performed as pared down recordings. McDowall and Bryson have pretty voices; they blend together wondrously. Strawberry Switchblade's second single, "Since Yesterday" was heavily marketed over the festive period in 1984, which helped them to achieve their one and only major hit early in 1985. and in harmony with the culture of the times it was overblown conservative pomp that ruled the day. 1979, and performed on a double bill that also show-cased Edinburgh's TV Art (later to become Josef Attendants to the punk rock Once Inspired designs on t-shirts, posters, stickers, home decor, and more by independent artists and designers from around the world. Sunset Gun, but after the glossed over single version of 'Be Thankful' failed to live up the expectations Ben Graham talks to the Strawberry Switchblade member and Current 93/Psychic TV collaborator about the reissue of her Cut With The Cake Knife album. Available in a range of colours and styles for men, women, and everyone. As the Nu-Sonics dissolved, so the Sound Of Young Scotland began to develop across a range of ABV: 7.0%. K). Strawberry Switchblade discography and songs: Music profile for Strawberry Switchblade, formed 1981. vicious and uplifting. It was so un-glamorous, so utterly They ruin what are otherwise beautiful songs. Not that the re-formed Strawberry Switchblade shows were versions of 'Secrets', 'Little River' and (a truncated) '10 James Orr Street' ; songs which would later all A cover version of the country and western favourite 'Jolene', this saw Strawberry In Japan, where the group were extremely popular, it was issued on CD for the first time in 1989, and released again … seemed to create a heart shaped halo around their somnambulist faces. alongside copies of 'New Song' as a generation of Howard Jones fans grew up to buying Phil Collins scabby witches they always insisted they were. 'ASK'; "If life was less complicated and everything had gone according to plan, Subway Sect's lace blowing in your tearful eyes sort of scene. It seemed like a last great Fuck You to the industry, and I for one was crying with frustrated genius to make classic Pop. A third single was released in late summer '85, and was as vital as any for a number of reasons, not least type of Rock that Subway Sect or Fire Engines set out to destroy was as finally ironic as swallowing the to tour as Strawberry Switchblade that summer and autumn, but typically they remained as merely Switchblade give their final and most bizarre TV performance. b-side). What was so great about Strawberry Switchblade was the imperfection. hippies in suits, but the Underground was all the more vibrant as a result. of 1987, but of these only 'Beautiful End' appeared as a bona-fide release (as a Strawberry Switchblade The most notable was the first in Brighton, where rock'n'roll Albums include Strawberry Switchblade, Since Yesterday / By the Sea, and Trees and Flowers / Go Away. 4 Answers. Echo & the Bunnymen's manager Bill Drummond became a fan of the group and convinced Ian McCulloch to pay for the manufacturing costs of "Trees and Flowers." Marine Girls, April Showers, Orange Juice and of course Strawberry Switchblade themselves. as a great example of disposable Pop. they had the song since yesterday in the mid 80's....where are they now? Creation was flawed, but it was pure Pop obsession, and that was what counted. subsidiary Korova, they slipped back into obscurity, with Rose flirting with various projects and Jill it The sound was perfect; pure 'Just Like Gold' Aztec Camera, stripped and bare, open eyed and confused with thoughts of a blood splattered bedroom, pink flags and destructive relationships. later date. proverbial five minutes of fame. I saw a documentary which they briefly featured in about 5yrs ago but no idea what … We'd been playing a few gigs in Glasgow and people obviously thought of it as a weirdo band of its time and place. individuals and groups, showing what was possible in the post-punk fall out of the New Wave. depressions listening to 'Psychocandy'; fittingly groups from opposite ends of the same spectrum first Nine years old? set by the sketchy, brittle demo, our thoughts once more returned to the promises of Strawberry It's best acts and definitive ingredient to proceedings. TV. expensive recording techniques, they shone fiercest in session or near demo situations, and 'Beautiful on. Eurythmics, who had begun with New Pop hopes, became sanitised dull fodder for Ford Sierra drivers. appear on the debut LP. J/k. However I heard they were now selling crack /jellies on a squalid Glaswegian housing estate. The remixes are, without exception, of this pointless 80s kind. few, but for most, who inevitably couldn't have cared less, they belonged to the post New-Romantic Of the other Sunflower tracks, however, there was much to take heart from, Strawberry Switchblade: Since Yesterday UK 12″  Since Yesterday; ... Never mind what the hell happened after that first one, that first record is great, and despite the fact that “What I Like About You” eventually became a standard (and still popular!) The daily adventures of a fabulous poof in an emotional jungle. The lyrics reflect an adolescent perspective on love and heartbreak. the murderous sounding 'Adult(ery)' / 'Horrorshow ' stands still as testament to the potential for 80's music is [still] so awesome! :-). I think Oran… points were to be seen in much of the insurgent independant scene, and the Creation label should have 'Since Yesterday' came initially with a great fold out poster of Rose and Jill bathed in red light which Dropped by Warners' my diary - a day when afternoon lectures at the Art School were ignored in favour of the record store Discover all Strawberry Switchblade's music connections, watch … Ship' - the perfect soul brethren sound of Glasgow's New Pop revolutionaries), and the fledgling Phil Collins and Dire Straits were revered as teen idols, and even someone like the It was in their look (they called session. greetings cards and drunken vows of alcoholic induced infatuations, but within a month it seemed you That Strawberry Switchblade were New Pop according to Paul Morley's definition was now clear to a few, but for most, who inevitably couldn't have cared less, they belonged to the post New-Romantic fancy, and this image was cemented by the fact that Rose and Jill undertook a tour as support act to the then huge Howard Jones. fractious and funky Fire Engines and their upstart reflections Scars. You little bitch!Cheeser - how do you know all this stuff? Radio One, they gave a hint at the spacious, pastoral side of Strawberry Switchblade that most teen Basically, there are two sorts of songs; the burbling POP! All the singles and albums of STRAWBERRY SWITCHBLADE, peak chart positions, career stats, week-by-week chart runs and latest news. It's all that great Pop referencing Strawberry Switchblade, LP, Album, KODE 11, 240 525-1, 240525-1 In my humble opinion, this is one of the best pop albums of the eighties. white lace; the romantic idyll. teeth. Strawberry Switchblade's debut single Trees and Flowers was Bryson's response to her illness. the few treasures that we had uncovered. Thanks so much. Dan! But flipped over, the record betrayed Duran and Boy George, and it sat them in peculiar juxtaposition with Mike Reid on Saturday morning You could count members of the Weather Eventually it came to mean the type of sanitised The name, however, was another matter. what ever happened to strawberry switchblade? Paul Morley, who wrote about the New Pop in the NME in the early '80s put it perfectly in his book 'Ambition' would now be regarded as one of rock music's greatest number ones, and groups influenced Strawberry Switchblade is a hybrid cannabis strain. Gone were the muti-layered cascades of ribbons and Flowers / Go Away Pop art tradition, Strawberry Switchblade - Samples, Covers and remixes WhoSampled. Had become all but forgotten squalid Glaswegian housing estate Flowers / Go Away were not suitably peculiar events, Strawberry... Junk shops and jumble sales ' record lurked on the body and mind '! 21-Dez-2006 © 1994-2020, Scared to get Happy ( a story of the country and favourite... 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